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Category Archives: Review

Mr. Evans at the KC Examiner published this review of the Fishtank’s newest show: Neighborhood 3.  We run through June 6th, each show at 8:30pm, come out and check us out if you can!  Click here for tickets.

Mr. Evans found the show intense and experimental, commenting “The two veterans of the cast demonstrate just how to delineate their characters and present a plethora of characters in this short piece. Coleman Crenshaw and Devon Burns bring a different character to each scene.”

For the full review click here.

Kansas City Actors Theatre has opened the final show in their 10th Season down at The Carlsen Center on the campus of JCCC.  Crimes of the Heart is a dark comedy filled in tragedy and laughs, suicide and lemonade.  Come out and see us if you can.  The show runs through March 8th.  For tickets check this out.  Or, if you know me well enough to email me, drop me a note and I can probably get you a discount.

Check out what the media is saying:

The always excellent, Deborah Hirsch, of The Pitch, proclaims the story strong and rich, full of idiosyncratic performances.  “This casting, if in lieu of narrative logic, provides an ideal platform for this talented ensemble. It also adds a depth that might not otherwise exist in this largely light work…”.  Full review here.

Diana Reese at the Kansas City Star calls it “memorable theatre” saying: “I hated to say goodbye to the sisters Magrath“.   She goes on to say that “Coleman Crenshaw shines in his KCAT debut”.   Read the full review on the KC Star website here.

The KC Metropolis reviewer, Karen Hauge, chimes in with:  “Henley’s fine, colloquial writing and delicate storytelling come to life in the careful hands of the actors and director Darren Sextro.”  Find the full text of Karen Hauge’s wonderfully crafted review here.

Frank C. Siraguso calls it “just plain fun” and “a fast-paced tale” in his review over at the Kansas City InfoZine.

Bob Evans, with the Examiner, says it is “a super-strong cast from top to bottom” that create a “darkly funny” play that he gives his “highest recommendation“.   Full review here.

Come out and join the Southern Gothic humor of Beth Henley’s Crimes of the Heart and add you voice to the conversation below in the comments!

The 10th season of Kansas City Fringe is in full swing.  Lots and lots and lots of wonderful theatre happening in KC!  You should check out some of my favorite people and plays if you can.  I’d recommend (besides my three shows at Off-Center Theatre, of course- I’m sure you’ve already seen them): Forrest Attaway’s Dirtlegs at Heartland Forum, and in the same space: Virgin and Sing, Sing, Sing and the Fishtank’s Red/Blue/Green Fish– all promise great things.  The Submarine Show at the MET is also wonderful!  A-Cop-Alypse at Just Off Broadway Theatre is sure to stoke your zombie fix.  And finally, I’ve been hearing great things about St. Nicholas and Bond.  There are many, many others that I haven’t yet had time to see, so splash out and tell me what’s up in the comments!

Here are some of the things people are saying about the shows I’m currently running (Dangerous to Dance With, Red Death, and More 4Play: Mmmmm):

RED DEATH by Daniel Doss and Bryan Colley
Robert Trussell at the KC Star says this about the opera:

[Daniel] Doss’ lush score… is darkly romantic, often returning to a haunting waltz-time motif…. Tenor Nathan Granner… as usual, is mesmerizing.  Soprano Devon Barnes is impressive…. this one shimmers, thanks to a delicate, evocative lighting design by Shane Rowse and elegant costumes designed and created by Varney and her collaborators. A cadre of dancers create dreamlike stage pictures. In essence, this piece is a 19th-century meditation on death, but the combination of music, dance, creative lighting and inventive costumes will linger in the viewer’s memory.

For the full review head here.

Lee Hartman of KC Metropolis added this:

The production values of Red Death put many other Fringe shows to shame…. Granner, at full volume for most of his singing, is convincing with his laissez-faire attitude and Barnes… is an equal match. … Red Death should be on your “to see” list for this year’s Fringe. It tries something new, albeit conservatively, but the performances and production are worthy of attention.

Full review here.

What about the people?  KC Stage reviews abound:

It seems every year at Fringe there comes along a show that I find myself wishing could be brought out to full length. This year, one such show is Bryan Colley’s “Red Death” –KellyLuck: 5 out of 5

At one point their frantic, almost jerky, movements gave the impression of many more dancers than there were. This was an effective contrast to the fluidly slow movements, particularly when Coleman Crenshaw as the Uninvited Guest drew attention merely by his intense stage presence. – Detailer: 5 out of 5

Mr. Trussell also had this to say about Dangerous to Dance With:

…a talented cast, anchored by Victor Raider-Wexler as Harris. Raider-Wexler is one of the city’s best character actors, and he inhabits the role with gruff authority and a shrewd sense of comic timing….  Coleman Crenshaw is smooth and relaxed as Nick…. the writing is often witty. Overall this is an interesting, edgy example of comic playwriting.

For the full review head here.
KC Stage Reviews chime in with:

 [T]his play is so thought provoking, in order to understand and appreciate all of the philosophical points, you need to see the play twice. -AlanSKoalas: 5 out of 5

Nick has a very dry sense of British humor, which is perfect for Coleman, and a great foil to the broader humor in the play.  – Jewell: 5 out of 5

Victor Raider-Wexler stands out among the cast. He created a fascinating character, always consistent, truthful, and spot-on. Victor was adept at both comic timing and intense seriousness…. [Coleman Crenshaw] was interesting to watch and listen to. … his active listening and facial reactions were consistently good.  -Detailer: 3 out of 5

MORE 4PLAY: MMMMM by Various 
Finally: More 4Play: Mmmm.  Mr. Trussell, nor anyone at KC Metropolis has had a chance yet to see this one.  But KC Stage offers us a glimpse:

The “4Play” series of short plays on and about relationships (mostly) has quickly established itself as a KC Fringe staple. It is good to see that this is continuing, as this year’s crop brings us 4 plays inhabiting the same universe and even a little more besides.

First is “Desire” by Frank Higgins… A short but interesting listen, and worth a few chuckles.

Third is “Fishers of Men” by Schaeffer Nelson, in which an idealistic young missionary finds himself talking to a cynical gay man on religion, love, sex, and regret. An interesting one, this, more serious than its predecessors. I almost would have liked to see this one go further, but such is the nature of short plays. – KellyLuck: 4 out of 5

Check out KC Stage’s Fringe section for full reviews and details here.

I’ll post again with more reviews as they come.

Enjoy the Fringe!!  As always head to the KC Fringe website for schedules, details, and tickets!